Pre-order of The Dreadful Human Tangle. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Purchasable with gift card
releases May 10, 2024
£7GBP or more
Cassette + Digital Album
Painting by Lulu Bennett, layout by Anna Foxabbott
Includes digital pre-order of The Dreadful Human Tangle.
You get 3 tracks now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
shipping out on or around May 10, 2024
£12GBPor more
Compact Disc (CD) + Digital Album
Painting by Lulu Bennett, layout by Anna Foxabbott
Includes digital pre-order of The Dreadful Human Tangle.
You get 3 tracks now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
Just a heads up, we’re here again
Missing men i’ve never met
But it relieves me to believe
We’re not as doomed as we pretend to be
It’s another heartbreak highlight, stick it on the reel
Sandwiched between a 2-0 win and a drab tuesday night 0-0
Of things I can remember, falling in love is only part
Like turning twenty seven and listening to a wandering heart
Which wonders lone until it rests
And it rests until it misses home
And there’s nothing left to undress
So every night undresses alone
And it’s my lizard tongue telling myself to sit down, shut your mouth
And it’s the hot itch on the inside of my wrist which curls my toes before i fall asleep,
Dries my lips before i take a sip and reminds me of everything i’ve ever been
Hey, how have you been holding up?
I’d say middling to fair
But it’s been like that for a while now
And there’s still this lingering fear
There’s the thin snow which never sets
Water looks kinda choppy today
I’ve been sleeping on your side of the bed
And the living with the dull ache
The thing I think I’ve been looking for is ducking in and ducking out
Like a cold slap, across the top of my back, the power nearly knocks me out
Texting you from a shapeless space
Scraping your arm by my side
Trying to drag myself through all of this
Good morning baby, good evening, good night
I been thinking about the things I never said and the things that I was always thinking
I been thinking about the things you never said and the things I knew that you were thinking
I been thinking about the things I never said and the things that I was always thinking
I been thinking about the things you never said and the things I knew that you were thinking
Scania skids by
I haven’t seen you tonight
How can I get by without your love in my life?
I emptied the rocks from my bag
I carried them for a year and a half
I still love you as much as I ever have
It doesn’t feel like home til I feel you go to lean in close
Some talk of never growing old
Every inch of us touched but I still looked for more to hold
I don’t mind, but today like almost every other day is slowly slipping by
Do you have the time to listen to me whine about everything I’m burying under piles and piles of grime?
I don’t feel like me ‘til we’re sleeping cheek to cheek
And the sleep’s so deep
Baby this love is overwhelming me
Walk to central on an afternoon
Sunday sky threatens blue
All I wanna do is get myself tangled up in you
I don’t mind, but today like almost every other day is slowly slipping by
Do you have the time to listen to me whine about everything I’m burying under piles and piles of grime?
8.
Reliant Robin
9.
It's Goodbye From Me
10.
Common
11.
I Have Thought About You Every Single Second Today
12.
Southern Comforts
about
Above all else, Baggio is about the little moments which make up a life. The long-running project of songwriter Ben Wyborn, Baggio’s subtle, self-reflexive music has always been about moments and episodes, the stitches in the fabric of the everyday without which nothing quite makes sense; yet on new album The Dreadful Human Tangle, those intricacies are more vivid, more rounded and more resonant than ever.
One of many reasons for this may be this release’s sense of scale. It’s the first full-length Baggio record to feature the ever-expanding Baggio live band, a gently-rotating squad of players from disparate corners of the South London DIY scene (including members of Lilo, The Late Joe Bowman, Scrounge, Phil Graves, Nudista, Half-Lung Club, Lou Terry and many more) – a scene of which Wyborn themself has been a vital part for several years now. The record also features artwork by award-winning painter Lulu Bennett, and will be released via one of the scene’s key labels, Double Dare. This wide range of contributors not only allows Baggio to build grander, more complex arrangements, it also gives Wyborn more options to frame the essence of their songs more sympathetically; perhaps counter-intuitively, a bigger band has afforded Baggio songs with more room to breathe, not less.
Perhaps the most obvious manifestation of this newly-broadened scope is the range of genres on The Dreadful Human Triangle. Although there’s no shortage of the contemplative, Americana-tinged folk-rock that will be very familiar to long-term Baggio fans (‘Dull Ache’, ‘I Have Thought About You Every Single Second Today’, ‘It’s Goodbye From Me’), there’s a welcome injection of pop immediacy across the record, from the lunchtime air-punch of ‘Soup’ to the pristine C86 melancholy of ‘Mangetout’ and ‘Something Bad’. The campfire spirals of ‘Common’ and ‘Southern Comforts’ are the sombre flipsides of the bleary-eyed-but-restless likes of ‘Jellyfish’ and ‘Reliant Robin’, while ‘Modern Industry!’ is perhaps the record’s centrepiece, a song which manages to sound both elegant and verging upon collapse.
The Dreadful Human Tangle isn’t the kind of album you can make without having lived it first. Maybe that’s true of every album, maybe it’s a bit of a hack thing to say; but that doesn’t mean it’s not true, or that this record doesn’t feel particularly organic, particularly personal, particularly worn-in. The traces – welcome and otherwise – that the last few years have left on Wyborn spread across every song like a drink soaking into a sofa. Having lived for spells in Glasgow, Brighton and the West Country, Wyborn has now been settled back in London for a while now, the city having been their most consistent home since the early 2010s. For all the emotional tumult you’ll find on the record – and there is plenty – there is a sense of steadiness and permanence which feels important to The Dreadful Human Tangle. It’s a social record, one that, though centred upon the songwriting of one person, is fundamentally shaped by a community of friends and allies. The scene, the city, is a member of Baggio too.
“This is a record about living in London in your late 20s,” says Wyborn. “It’s about the little moments that make up a life. The bits of heartbreak, the bits of sadness, the bits of joy that all come together and make up something to look back on. It’s a record made by a community of best friends, musicians and artists who’ve come together for no reasons other than love for each other and a love of making music. I turned 30 not long after we finished the album and it feels like a culmination of my 20s; stories that took me a decade to tell and feelings it took me a decade to feel.”
Like most people, Wyborn didn’t live their 20s in a neat, linear way, dominated by a single feeling, ambition or activity; life has been messier, funnier, more exciting, more boring than that. By embracing the ebbs and flows of adulthood while clinging firmly onto the few constants we all hope to be able to rely on – the love of our friends, a sense of community, a general rule that everything passes and shouldn’t be taken too seriously – Wyborn has developed a genuinely distinctive lyrical voice, which reaches its fullest realisation yet on The Dreadful Human Tangle. Each track here is rich with meaning and allusion, from snapshots of mental distress (‘Modern Industry’ – “it’s about the quicksand feeling of life”) to pandemic-era ennui (‘Jellyfish’ – “I was working from home in my freezing living room, switching between staring at the ceiling and staring at the telly”); there are sudden gut-punches of feeling (‘I Have Thought About You Every Single Second Today’ – “I was hit by this unexpected, brutal wave of grief for a relationship, almost out of nowhere”) and all-too familiar, all-too frank moments of resignation (“‘Common’ is about walking around having depression”).
Again, this is a piece of work about the small moments, the intricate details, which, when you think about it, are the bits of life we actually engage with every day; we don’t live at the macro level. But take a step back, and the constituent parts of The Dreadful Human Tangle combine in something that’s as rich, profound and expansive as anything Baggio has released so far.
“It’s a bow, it’s a full stop,” says Wyborn. “I hope people can hear it and a) paint a picture in their head of what it is to be me and b) have fun listening to it. It’s hard to be a saint in the city, it’s harder to make rent.”
credits
releases May 10, 2024
All songs produced, engineered and mixed by Joseph Futak (he/him)
All songs mastered by Jamie Moore (he/him)
Artwork by Lulu Bennett (she/her)
Artwork photographed by Gillies Adamson Semple (he/him)
Released by Double Dare, 2024
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